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Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 3: The tobacco-tongs were more properly called ember-or brand-tongs. They sometimes had a tobacco-stopper riveted in near the axis of the tongs, and thus could be easily distinguished from other kinds of tongs. An example in the Guildhall Museum, made of brass, and probably of late seventeenth-century date, has the end of one of the handles formed into a stopper. In the same collection there are several pairs of ember-tongs with handles or jaws decorated. In one or two a handle terminates in a hook, by which they could be hung up when not required for use. In that delightful book of pictures and gossip concerning old household and farming gear, and old-fashioned domestic plenishings of many kinds, called "Old West Surrey," Miss Jekyll figures two pairs of old ember-or brand-tongs. One of these quite deserves the praise which she bestows upon it. "Its lines," says Miss Jekyll, "fill one with the satisfaction caused by a thing that is exactly right, and with admiration for the art and skill of a true artist." These homely tongs are fashioned with a fine eye for symmetry, and, indeed, for beauty of design and perfect fitness for the intended purpose. The ends which were to pick up the coal are shaped like two little hands, while "the edges have slight mouldings and even a low bead enrichment. The circular flat on the side away from the projecting stopper has two tiny engraved pictures; on one side of the joint a bottle and tall wine-glass, on the other a pair of long clay pipes crossed, and a bowl of tobacco shown in section." This beautiful little implement bears the engraved name of its Surrey maker, and the date 1795.
From Chapter 5: Among the many medicinal virtues attributed to tobacco was its supposed value as a preservative from contagion at times of plague. Hearne, the antiquary, writing early in 1721, said that he had been told that in the Great Plague of London of 1665 none of those who kept tobacconists' shops suffered from it, and this belief no doubt enhanced the medical reputation of the weed. I have also seen it stated that during the cholera epidemics of 1831, 1849, and 1866 not one London tobacconist died from that disease; but good authority for the statement seems to be lacking. Hutton, in his "History of Derby," says that when that town was visited by the plague in 1665, that at the "Headless-cross ... the market-people, having their mouths primed with tobacco as a preservative, brought their provisions.... It was observed, that this cruel affliction never attempted the premises of a tobacconist, a tanner or a shoemaker." Whatever ground there may have been for the belief in the prophylactic effect of smoking, there can be no doubt that in the seventeenth century it was firmly held. Howell in one of his "Familiar Letters" dated January 1, 1646, says that the smoke of tobacco is "one of the wholesomest sents that is against all contagious airs, for it overmasters all other smells, as King James they say found true, when being once a hunting, a showr of rain drave him into a Pigsty for shelter, wher he caus'd a pipe full to Be taken of purpose." But here Mr. Howell is certainly drawing the long-bow. One cannot imagine the author of the "Counterblaste" countenancing the use of tobacco under any circumstances.
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From Chapter 9: Readers of Dickens are familiar with the drawing by Cruikshank which illustrates the chapter on "Scotland Yard" in Dickens's "Sketches by Boz," which was written before 1836. It shows the coal-heavers sitting round the fire shouting out "some sturdy chorus," and smoking long clays. "Here," wrote Dickens, "in a dark wainscoted-room of ancient appearance, cheered by the glow of a mighty fire ... sat the lusty coal-heavers, quaffing large draughts of Barclay's best, and puffing forth volumes of smoke, which wreathed heavily above their heads, and involved the room in a thick dark cloud." These good folk and others of their kin had never been affected by any change of fashion in respect of smoking. In another of the "Sketches," the amusing "Tuggs's at Ramsgate," when poor Cymon Tuggs is hid behind the curtain, half dead with fear, he hears Captain Waters call for brandy and cigars—"The cigars were introduced; the captain was a professed smoker; so was the lieutenant; so was Joseph Tuggs." Poor Cymon, on the other hand, was one of those who could never smoke "without feeling it indispensably necessary to retire, immediately, and never could smell smoke without a strong disposition to cough." Consequently, as the apartment was small, the door closed and the smoke powerful, poor Cymon was soon compelled to cough, which precipitated the catastrophe. It is noticeable that Dickens speaks of the three worthies as professed smokers, a remark which suggests that such dare-devils, men who would take cigars as a matter of course and for enjoyment, and not merely out of a complimentary acquiescence in some one else's wish, were comparatively rare.
From Chapter 1:
But the story was a stock jest long before it was associated with Raleigh. The earliest example of it occurs in the "Jests" attributed to Richard Tarleton, the famous comic performer of the Elizabethan stage, who died in 1588—the year of the Armada. "Tarlton's Jests" appeared in 1611, and the story in question, which is headed "How Tarlton tooke tobacco at the first comming up of it," runs as follows:
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